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The rarefied universe of private owners of Rembrandt paintings (perhaps 37 worldwide) includes the Baron Eric de Rothschild (jovial and candid), the 10th Duke of Buccleuch (charming and remarkably low-key for one of Europe's largest landowners), and, most fascinatingly, Amsterdam's Jan Six.

He’s a dashing young art dealer from a family that has owned a plethora of Rembrandts for generations, including a portrait of his ancestor, once a close friend of the artist.
Six is obsessed with discovering a new, currently unknown, yet verifiable Rembrandt; de Rothschild is committed to selling two important paintings that grace his bedroom – detonating a cut-throat competition between the Louvre and the Rijksmuseum.

Owning Rembrandts is no simple matter. It sets off emotional, financial, and intellectual fireworks, captured by director Oeke Hoogendijk with the same insight and wit she brought to her previous art world opus, THE NEW RIJKSMUSEUM.